Ludwig was referring to an old mono or old stereo LP that he has.
So, only the people involved know which is “right”, but to me, the new version totally lost the magic, even if the new speed can be shown to be “correct”…so what! I put on my old LP and the chills were back! I noticed the LP was much slower than the new re-mastering. Latin LP New Arrivals Brazilian Music Blues LP New Arrivals Deals. LP (Vinyl) 'Lady In Satin' Vinyl, Reissue edition af Billie Holiday. I put on the disc and my heart was broken, I got none of the chills I used to get. I just bought the SACD of one of my most favorite recordings that I have heard since my childhood, Billy Holiday’s “Lady In Satin”.
They sound cleaner but are they representative of the actual masters?īob Ludwig: It’s often hard to tell. That set included the LP made the following year by Billie with the Ellis orchestra and for that reason many will prefer it over this one as it provides the complete 1958/59 Lady In Satin sessions. The problem is that, as consumers, we are unable to differentiate what was the “original” sound as recorded in the studio vs. A CD of the same title on American Jazz Classics was recently released and reviewed for JJ by Sally Evans-Darby. MusicTAP: We’re in an era where re-masters arrive by the boatload from whatever label’s ship that has just arrived in the harbour brings to us. TOTAL TIME: 68:23 Min.FYI, this is an excerpt from an interview of Robert Ludwig (who was one the best vinyl mastering engineers): Storyville Club, Boston, late April 1959.ĬD 1: TTHE STEREO VERSION (Columbia CS-8048)ġ3 ‘T AIN’T NOBODY’S BUSINESS IF I DO (*)Ģ1 OH, WHAT A LITTLE MOONLIGHT CAN DO (*)ĬD 2: THE MONO VERSION (Columbia CL-1157)ġ4 PLEASE DON’T TALK ABOUT ME WHEN I’M GONE (*) London, England, February 25, 1959.ĬD 2 : Mal Waldron (p), Champ Jones (b), Roy Haynes (d). Monterey Jazz Festival, Monterey, California, October 5, 1958.ĬD 2 : Mal Waldron (p) and orchestra conducted by Peter Knight. (*) BONUS TRACKS: BILLIE HOLIDAY (vcl) with:ĬD 1 : Gerry Mulligan (bar), Benny Carter (as), Buddy DeFranco (cl), Mal Waldron (p),Įddie Khan (b), Dick Berk (d). The original album was produced by Irving Townsend, and engineered by Fred Plaut. Lady in Satin is the penultimate album completed by the singer and last released in her lifetime. Some of Billie’s last live performances, among them her complete 1958 Monterey Jazz Festival concert and a 1959 set at the Storyville Club in Boston, have been added here as a bonus. Label: Waxtime Reissued 2020, originally released 1958 Limited vinyl LP repressing of this classic 1958 album by the jazz icon. Reeling from the commercial fizzle of his debut LP, Bruce Springsteen threw off the new Dylan baggage and applied his Jersey-bar-band skills to some of the funniest tunes he’d ever write: Rosalita, Kitty’s Back, and the boardwalk love song 4th of July, Asbury Park (Sandy). Her vocal style, strongly inspired by jazz. Nicknamed ' Lady Day ' by her friend and music partner Lester Young, Holiday had an innovative influence on jazz music and pop singing.
#BILLIE HOLIDAY REVERB LP LADY IN SATIN 3RD ISSUE FREE#
Stream songs including 'Im a Fool to Want You', 'For Heavens Sake' and more. 'Lady In Satin' is a record which requires a different outlook. J Jazz: Deep Modern Jazz from Japan + Related Japanese Music Listen to Lady in Satin (The Centennial Edition) by Billie Holiday on Apple Music.Avant-Garde, Free Jazz, Contemporary Music, Ambient & Minimalism.Spiritual Jazz, Fusion, Jazz Funk & Modal.Billie Holiday - The End Of A Love Affair. R&B - Soul - Funk - R n' R - Folk & Country Lady In Satin (LP, Album, Mono)Fontana: 682 024 TL: Netherlands: 1958: New Submission.
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